
A pivotal moment occurs when Alex, sensing Dean’s inner conflict, asks directly:
“Have you ever thought about what could have been? About us?”
This question forces Dean to confront the truth—he is in a committed relationship, something he hadn’t admitted to Alex earlier. The revelation shifts the dynamic between them, as Alex struggles with the realization that the past cannot simply be rewritten.
Over the course of their short reunion, both men come to understand that while their love was real, it belonged to another time. By the end of their 48 hours together, they part ways once more, this time with a deeper sense of closure. The desert, vast and unchanging, mirrors the finality of their farewell.
Review for Lazy Eye (2016)
Lazy Eye is a beautifully crafted indie drama that delves into the complexities of love, memory, and the passage of time. Director Tim Kirkman masterfully balances romance and introspection, using sharp dialogue and strong performances to create a film that feels both deeply personal and universally relatable.
The chemistry between Lucas Near-Verbrugghe (Dean) and Aaron Costa Ganis (Alex) is undeniable. Their dynamic is rich with tension, nostalgia, and unresolved emotions. The film’s strength lies in its dialogue, which is so natural and engaging that it often feels like the audience is eavesdropping on a real conversation.
What sets Lazy Eye apart from other romantic dramas is its refusal to offer a conventional happy ending. Instead, it presents a more realistic, bittersweet resolution—one where love is acknowledged, but life’s choices remain irreversible. The desert setting adds to the film’s contemplative mood, emphasizing themes of isolation, self-discovery, and the inevitability of change.
Although some scenes could have been trimmed to tighten the pacing, the film’s emotional depth makes it a rewarding watch. It’s a story about confronting the past, accepting the present, and realizing that some doors, once closed, should remain that way.
